I understand the title to this entry may seem a little vague, but in effect, it becomes clearer with further reading.
What do I mean?
Well, in the case if Lionel Bowman, he is a classic case of someone who was a dedicated, and convincing pianist, at concert level.
In fact, it would be accurate to say that he was at the peak of his career, in his late thirties.
Unfortunately, he experienced a set back, in the form of a hand and arm injury, through sprains, and difficulty of playing, as his hands were relatively small.
Whilst he still played the piano well, he often ended up needing medical assistance to help heal the injuries in his hands.
For many people, this may well have signaled the end to their career, but Lionel was no ordinary person, prepared to give up at the first sign of resistance. In fact, he turned what could have been a professional disaster into a gain, not only for himself, in that he was able to continue playing, but also for countless numbers of others.
He managed to develop a technique for playing the piano, that not only allowed him to play pain free, but actually enhanced the sound of his playing. The method involved the strengthening of the fingers, and a modification to the technique that he approached the keyboard with. The result was The Magic Touch, expressed in written form by Mr Wallace Tate, himself a past Music Examinations Board Director in Western Australia.
Professor Bowman has been able to bring the very best of a terrible and painstaking journey to light, in the form of a manual and instructional video to help others improve their playing skills. Whilst the professional pianist can certainly gain from the lessons, the techniques are also very valuable for the teacher as well as more junior student, in that the application of the correct technique early on will mean not having to relearn a method that works, and unlearn another.